Music and the Benefit Performance in Eighteenth-Century Britain Gardner DeSimone
Music and the Benefit Performance in Eighteenth-Century Britain
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
Matthew Gardner (Edited by), Alison DeSimone (Edited by)
9781108492935, Cambridge University Press
Hardback, published 31 October 2019
302 pages
25.4 x 18 x 2.2 cm, 0.68 kg
In the early eighteenth century, the benefit performance became an essential component of commercial music-making in Britain. Benefits, adapted from the spoken theatre, provided a new model from which instrumentalists, singers, and composers could reap financial and professional rewards. Benefits could be given as theatre pieces, concerts, or opera performances for the benefit of individual performers; or in aid of specific organizations. The benefit changed Britain's musico-theatrical landscape during this time and these special performances became a prototype for similar types of events in ot]
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Details:Music and the Benefit Performance in Eighteenth-Century Britain Gardner DeSimone
Music and the Benefit Performance in Eighteenth-Century Britain
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
Matthew Gardner (Edited by), Alison DeSimone (Edited by)
9781108492935, Cambridge University Press
Hardback, published 31 October 2019
302 pages
25.4 x 18 x 2.2 cm, 0.68 kg
In the early eighteenth century, the benefit performance became an essential component of commercial music-making in Britain. Benefits, adapted from the spoken theatre, provided a new model from which instrumentalists, singers, and composers could reap financial and professional rewards. Benefits could be given as theatre pieces, concerts, or opera performances for the benefit of individual performers; or in aid of specific organizations. The benefit changed Britain's musico-theatrical landscape during this time and these special performances became a prototype for similar types of events in ot]
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Product Description
Music and the Benefit Performance in Eighteenth-Century Britain
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
Matthew Gardner (Edited by), Alison DeSimone (Edited by)
9781108492935, Cambridge University Press
Hardback, published 31 October 2019
302 pages
25.4 x 18 x 2.2 cm, 0.68 kg
In the early eighteenth century, the benefit performance became an essential component of commercial music-making in Britain. Benefits, adapted from the spoken theatre, provided a new model from which instrumentalists, singers, and composers could reap financial and professional rewards. Benefits could be given as theatre pieces, concerts, or opera performances for the benefit of individual performers; or in aid of specific organizations. The benefit changed Britain's musico-theatrical landscape during this time and these special performances became a prototype for similar types of events in ot]
Product Specifications
General | |
|---|---|
format | hardcover |
Language | english |
type | textbook |
artist | not specified |
Color | multicolor |
Gender | unisex |
Brand | Cambridge University Press |
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